– Zoom h8 review
This app specialises in recording several musicians at the same time. For this, the Zoom H8 offers two Hi-Z line inputs. The app displays all tracks in a clear way. It also allows you to apply EQ, or other effects, like compression, to each individual track.
This function proves to be slightly tricky, since the way it functions is very different from the way it does on a PC, so some caution is advised when tinkering with the app’s settings. The field app is developed for some traditional field recording. Among its functions are sound design on site. This offers you a clear fader, or several enlarged ones. It offers access to effects which are useful when recording on site, like lo-cut, compression, limiter, and noise gate, to name a few.
Then there is the mountable capsule as an add-on, which provide you with four extra inputs as well as mini jack microphones. So, in a nutshell, plenty of inputs to work with, among which dedicated instrument inputs, so you could plug your guitar in, for instance. A big plus! We have tested this ourselves with the F6 and it works very well.
The H8 can also be used as an audio interface when combined with your PC. The H8 employs a new capsule system. Wondering what that is, exactly? A nice feature enabled on the field app and the podcast app is the backup recording, where a backup file will be recorded at 12dB lower than the input level you set. This is a life-saver if your main recording ever got distorted during a live recording. The music app is used for multi-track recordings, especially when recording a band.
Essentially you have up to 8 inputs, including the onboard mic capsule. The EXH-8 input capsule. Not shipped by Zoom yet, at this time of writing. Under this mode, you have access to equalization and effects such as compressors and limiters. I usually prefer to do punch-in and outs on a DAW, as I can visually see the tracks — but again, this would be useful if you plan on recording solely on the recorder. My experience using the Zoom H8 was good.
Everything was straightforward and easy to understand. The only complaint I have with the touchscreen is that you might miss-tap a few things if you have huge fingers. Also, I have not tested this — but having the touchscreen might also cause the H8 to use up battery power faster.
As someone who spends more time in the studio, rather than moving outdoors, I find myself using the audio interface mode more often. This is where the Zoom H8 also shines as an audio interface. The 3.
I find this particularly useful when jumping on online calls using apps like Zoom or Microsoft Teams, as those apps only recognize a single input. The Zoom H8 is a portable audio recorder that does a lot of things. I primarily see it as a tool aimed at people who usually record on the field, such as:. If the audio spikes at any point then that part of the second track will be substituted, effectively giving you more headroom and a failsafe recording.
Better still, bit float recording gives you so much headroom you won’t ever have to worry about setting levels again. To get the finest possible results, it’s best to place your recorder right in the action — just where you can no longer see or reach the controls is usually the perfect place!
So, a bundled app for your phone can be a godsend, enabling you to check levels and control your recorder from afar. If you plan to record outside then a fluffy windshield is a must, so check to see if one is thrown in. Once you get hooked, your recording sessions will become more ambitious and you’ll be dying to experiment with better quality external microphones. Our advice is to consider recorders with balanced XLR inputs from the start. Then, you’re less likely to outgrow your first recorder too quickly.
Multi-channel recorders give you lots of tracks to play with. You can record a whole drum kit , multiple podcast guests, and configure sophisticated mic arrays for nature. Tascam has musicians firmly in its sights with the DRX. Not only does it feature two balanced XLR inputs for additional mics, or connection to a mixer, but it also operates as a class-compliant audio interface over USB 2.
The DRX is littered with other musician-friendly features too, including a basic but very welcome mix facility.
You can play back all four tracks simultaneously, while adjusting both the mix and pan of each individual track. Six different reverb effects, which can be applied to the input or output signal, are on tap to make your band sound suitably vast and the onboard tuner will keep you all in tune.
The perfectionist in you can also overdub as many takes as needed and, when happy with the result, bounce the tracks down to a final mix. Tascam has implemented its own version of dual recording, which provides more headroom by recording a second safety track at a slightly lower level to capture any wayward spikes distortion free.
There’s is also a peak reduction feature, and a limiter, to ensure clean, idiot-proof recordings. The new Zoom H8 may look like the unfortunate love-child of Transformers’ hero Optimus Prime and a Nintendo Gameboy but there’s nothing ’80s about the tech. Zoom is well-known for its innovative product line — from the budget H1n right up to the pro-level F8n — but the Zoom H8 is possibly its most ground-breaking yet.
It has managed to pack an awful lot into its characterful, if slightly awkward-looking, robotic form. This is a recorder firmly targeted at the new-breed of creators. Whether you’re a musician, a podcaster or a field recordist the Zoom H8 has dedicated modes just for you.
A whopping eight inputs and 12 tracks means that you’re unlikely to run out of sonic capacity, but if you do, you can remove the included mic capsule and replace it with a further four XLR inputs. Or you can swap the included mic capsule with one of more than half a dozen other mic options including an Ambisonic array. The large high-resolution touch screen is a joy to use, especially for monitoring levels. Of course, there’s the obligatory phone app that covers similar ground, but the built-in screen feels more immediate.
Zoom likes to call it a ‘Handy Recorder’ but it’s so much more. You can mix, trigger sound pads, overdub and even connect to Zoom’s Guitar Lab for a huge assortment of amps and effects. Plug it into your laptop and it serves as a USB interface too. Roland’s baby recorder has a surprisingly grown-up feature set.
This fun-sized marvel just begs to be taken everywhere with you, always ready should inspiration strike. It’s dead-simple to use — hit the big Rehearsal button to automatically set levels and you’re good to go. Additionally, Roland has included ten parameter preset ‘Scenes’ that fine-tune the R for common recording needs — Loud Practice, Vocal, Field and so on.
Select the most appropriate Scene and the R sets an optimal configuration. Dual recording provides a back-up track recorded at a lower level for increased headroom too. Its Bluetooth capabilities are genuinely useful, enabling you to place the R close to the action but control it from a distance. It may not give you quality on a par with bigger, heavier, feature-laden recorders, but its portability and simplicity mean it will spend less time languishing in a drawer and more time capturing those priceless, unexpected moments.
Read the full Roland R review. Its sturdy aluminium frame and scaffold-like mic cage make it look and feel reassuringly robust — drop it and the pavement will probably come off worse. This is a no-nonsense field recorder that’s aimed squarely at the pro end of the market and it has a price point to match.
Instead, every effort has gone into making sure the PCM D captures the best recording possible, whatever the location or the conditions. Preamp circuitry is isolated from its power supply for reduced noise, and levels can be set for each mic.
These can be positioned independently too, swiveling 90 through degrees. It’s just a shame it doesn’t feature balanced XLR inputs. It would be awesome to hook it up to some top-notch mics to take advantage of its fabulous sound capabilities But it’s certainly no lightweight when it comes to recording audio. Where most other field recorders make do with two microphones, the pint-sized hardly even a swift half, to be accurate LS-P4 somehow manages to fit in three.
Olympus’ clever TRESMIC 3 system uses two outer microphones to capture a natural stereo image, while the omnidirectional centre microphone picks up the low-range.
Zoom h8 review. The ZOOM H8
Find helpful customer reviews and review ratings for Zoom H8 Track Portable Recorder, Stereo Microphones, 6 Inputs, Touchscreen Interface, USB Audio Interface, Battery Powered, for Stereo/Multitrack Audio for Video, Podcasting, and Music at Read honest and unbiased product reviews from our users. Zoom H8 Real World Test Video Review!In this video we take you to the street of Zagreb, Croatia to test out the new Zoom H8 handy recorder! Now you can hear. ZOOM H8 MULTI-TRACK HANDY RECORDER WITH TOUCHSCREEN INTERFACE 12 simultaneous recording tracks, interchangeable capsules, and an App-driven touchscreen interface, the H8 is designed to meet all your audio recording needs. Reviews of this Shop (16) Product Specs. Listed: 6 hours ago: Condition: Mint (Used) Mint items are in essentially new.